

Impro', the offer, and the general public
I have been improvising in role since the early 1990's. Much of this work has been done in scaffolded/controlled clientele environments like corporate events, festivals and theme parks where the audience is primed for performance - they have purchased a ticket and therefore consent that entertainment will be part of their upcoming experience. When working with the general public however this priming and acknowledgement of performance has not happened. This can lead to problem











